Distortion Pro

Distortion

Not a FUZZ! Designed to make a Tele, Strat, or other single coil-equipped guitar compete with a Les Paul, although many humbucker-users love it too. The DP-1 has great hi-gain sounds that are FAT and juicy. The "Saturation" knob allows you to soften or sharpen the attack of the notes and to firm the bottom-end. If you have a single-channel amp with a great clean tone then this is the pedal to get to add Marshall-like Lead tones without having to re-adjust the settings on your amp.

Distortion Pro page at Fulltone 's website...

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Fulltone's Distortion Pro Reviews

Submitted by rocker1 on 4/30/2007 3:05:28 PM
Purchased at ebay
Sound 7	Too fuzzy
Usability 7
Reliability 8
Summary 7

Submitted by Chris on 11/25/2007 4:46:34 AM
Music Style: country, rock and blues
Sound 10	i have to say one of the best OD's out there. strats, teles, LP, 335. mostly using fender vibro king sometimes with 212 extention cab. sounds great with all, but humbuckers do change the settings.
Usability 9	mine is a 2003 model. as stated below, these apparently are better than the older ones. with all the knobs, it may take more tweaking than usual on pedals, but the end result is that it is worth it. manual provides good starting points.
Reliability 9
Summary 10	I play in touring groups for 15 yrs. this is a great "ingredient" in the mix. if you have a problem getting good sound, it is probably one of two reasons. 1- you cant play and don't know the difference. or 2- you probably have crappy gear. it is amazing how much difference it makes. down to the cables. this pedal will really make a good setup sing. i use it with my fulldrive as a boost when needed. awesome. it is not cheap, but the thing about this and the fdII is that although you get the od/ sustain, different guitars still retain their voice which is rare among pedals. true bypass is a big difference as well. i never have personally used a ts9 that didn't suck tone something fierce when turned off.

Distortion Pro

Distortion

Fulltone's Distortion Pro Reviews

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